A solo piece on a treadmill that never stops, a speed race against the corrosion of time.

A woman indulges maniacally in jogging in place—in this health practice as much as self-torture. Someone is monitoring her like a metronome of her steps: the composer Jan Van Angelopoulos, live, along with his keyboards and electroacoustic soundscapes.
Inspired by catwalks, “RUNWAY” explores a woman’s array of behaviors and transformations based on the era’s dominant beauty standards. Catwalks morph into a form of silly walks as the performer walks, runs, stumbles, puts on make-up, fixes her hair, stumbles on her heels, and recovers her balance in a race against the corrosion of time and the terror it induces.
The treadmill is used as a beauty and wellness tool, as well as an existential prison, a torture instrument, and a conveyor belt for standardized products with expiration dates. It is eventually elevated to the symbol of a grotesque and absurd catwalk.