In “TITANS”, the hilarious and the serious are constantly being interchanged, and ideas on how things should be have already been lost. Euripides Laskaridis envisions a universe older than the world, a time of the mind where even shadows are alive and things have no set or stable size. The tiniest of things become enormous. All time and all space can fit on stage, and surprises, excitement, and terror all spring – without warning – from the work’s details. Center stage stand two solitary beings playing an endless game with no apparent purpose. Their laughter seems worrying, their worries laughable. And yet, their world is made from the same materials, feelings and thoughts as our own. Their failures are transformed into a defense of our own. There is something that makes this admittedly absurd artistic language win over audiences, wherever it may go. It does so because behind all the ridiculousness and the irony lies an ever steadfast tenderness.